Andrew Traucki not often misses.
Andrew Traucki is aware of his way close to a creature feature. With micro budgets and ostensible true stories, Traucki relishes the option to choose a easy tale of male versus beast and render it certainly, thrillingly intoxicating. Couple of, if any present-day filmmakers are pretty as dedicated to their craft. In a entire world wherever pocket-sized indie productions exist as small additional than springboards to more substantial studio fare—The Taking of Deborah Logan to Insidious: The Past Crucial The Hallow to The Nun—Traucki has trapped to his guns. With the forthcoming The Reef: Stalked established to premiere on Shudder, it’s superior, shark-infested time to revisit Traucki’s handheld, tooth-ridden job.
Andrew Traucki’s very first outing was 2007’s Black Water, a near-infamous illustration of earning a lot with a very little. Two gals and just one guy are stranded in a mangrove swamp that just so transpires to be the territory of a ferocious, pretty much homicidal saltwater crocodile. Using procedures that would turn into his bread-and-butter, Traucki blended true footage of saltwater crocodiles with some CG perform to obtain the effect of the actors occupying the identical proximal space as the crocodile. It isn’t excellent, and at instances, the spliced seams exhibit, but all round, Black H2o is viciously productive.
A crocodile springboard, Traucki would leverage Black Water’s cult achievement into his following characteristic The Reef. Similarly grounded in some half-truths—as any supporter of “true” horror stories is likely aware—The Reef is no fewer of a white-knuckle thrill journey. Soon after a boat capsizes in Indonesia, numerous travelers are left with no possibility but to tread open h2o in hopes of locating land. Of course, a terrific white shark with a grudge tracks them down, intermittently producing his existence recognised for some productive jolts and a little bit of bloodshed.
Arguably much better than Black Water, I’d argue The Reef is 1 of the scariest shark motion pictures given that Jaws. Satisfying on the promise of what Open Water hoped to be, it is a dour, desolate, agoraphobic scare-fest, scary in its nihilistic simplicity. It’s just some holidaymakers in open up water together with a giant, gentleman-eating shark. What it lacks in gimmick or budget, it much more than tends to make up for with sheer terror.
The Jungle is a exceptional misstep for Andrew Traucki, most likely accounting for the seven-yr gap involving it and his following aspect movie. In The Jungle, two brothers vacation to the Indonesian jungle to track down the endangered Javan leopard. Allow down by discouraging people, little momentum, and undisciplined located footage shaky cam, The Jungle flounders. With considerably significantly less realism than his preceding fare, The Jungle is at least noteworthy for Traucki trying one thing new. Over-all, nevertheless, it’s a movie that basically exists. There seriously is not much a lot more to say. Confident, some of the jungle images is stunning—and the poster is rather cool— but there is just not much there. In actuality, it is likely couple people today even saw it.
Black Water: Abyss
Black Drinking water: Abyss may possibly have been critically panned, but disregard the detractors. If you took the claustrophobia of The Descent and swirled it with the risky pathos of Traucki’s Black H2o, you’d get Black H2o: Abyss. A non secular successor to his 1st movie, Abyss follows a team of close friends who spelunk in remote Australia. Par for the horror system, all goes nicely at 1st. Before long, nevertheless, a tropical storm hits, flooding the cave and trapping the wannabe cave-divers deep underground.
Which is horrifying plenty of, but Traucki does what Traucki does most effective and throws in a huge killer crocodile for superior measure. Though Abyss exhibits Traucki subsequent the Crawl template with a bit more spectacle and much less smarts than previously fare, it is however a ridiculously enjoyment time. Moreover, Abyss manages to wring some genuine scares from its ragtag group of divers as they contend with an inexplicably angry crocodile. No significantly less nihilistic and helpful in its relative simplicity, Abyss was a return to type for killer croc Australian imports.
The Reef: Stalked
Traucki is back in the activity with The Reef: Stalked. Where by Black Drinking water: Abyss stretched credulity, Stalked finds him back in austere, stripped-down monster territory. Early promotional supplies did not generate much promise, however make no error The Reef: Stalked is a person of the very best shark films in years. With impacting pathos, authentic scares, and Traucki’s very best shark pictures nevertheless, what it lacks in bloodshed it a lot more than helps make up for with a major, grinning shark heart.
Andrew Traucki has additionally helmed a section in The ABCs of Dying, getting on the gnarly G with “G is for Gravity,” and an episode of Party Zero, an Australian miniseries about a biological assault in Sydney. But, for the most part, Traucki’s job has been completely of the creature feature variety. The forthcoming The Reef: Stalked has Traucki back again in which he belongs. Love him or dislike him (for the document, I like his get the job done), there’s anything admirable in his dedication to a thematic lineage. Creature characteristics have been on the decrease for a when (here’s hoping Idris Elba can adjust that). At this position, audiences are blessed to take what they get. Luckily, Traucki is happy to provide. With beautiful images, toothy beasts, and plenty of Australians assembly their makers, I’m joyful to see him back. 3 cheers for the crocs, and possibly just a single additional for the sharks.