December 1, 2022


Art and Entertainment

Dance artists Jay Hirabayashi and Barbara Bourget are

Jay Hirabayashi. Picture by Chris Randle.

In 1986, Vancouver-based dance artists Jay Hirabayashi and Barbara Bourget established Kokoro Dance Theatre Society, and now, immediately after 35 decades of sustained dance performance, they will be inducted into the Dance Assortment Danse Corridor of Fame, an business in Toronto committed to preserving the legacies of dance in Canada.

The Kokoro Dance corporation usually takes its title from the Japanese phrase kokoro, which means heart, soul and spirit, and is largely encouraged by the Japanese dance sort butoh, explained as a “dance of darkness” that explores the boundaries in between the realms of existence and demise.

Hirabayashi is the son of Gordon Hirabayashi, identified for difficult the U.S. governing administration regarding its Globe War II period internment of Japanese Us residents, and to honor his mom and dad Gordon and Esther, the youthful Hirabayashi has executed butoh in their memory.

He also credits his moms and dads for his introduction to dance. “My earliest memory of dance was observing my mom sq. dance when I was 6 or seven years old,” he recalled. “My mom cherished dancing and she took my sisters and me to see the Bolshoi Ballet when we ended up little ones.”

But Hirabayashi’s dance job was not a given, as he only began dance courses in buy to rehabilitate one of his legs right after surgical procedures. “I have normally been athletically lively and I uncovered my first dance courses to be physically and mentally hard,” he reported. “Although I commenced incredibly late at the age of 30, I was questioned to sign up for the Paula Ross Dance Company after only a yr of review at Paula’s studio.”

He expanded from modern day dance into ballet and get in touch with improvisation. “I learned that ballet was the technological foundation of fashionable dance so started out to get ballet classes to master how to convert greater and to acquire some grace and fluidity in my motion,” he recounted. “Skiing for me is always an improvisation where you have to deal with changing terrain. Get hold of improvisation is identical as you have to make spontaneous options when dancing with a spouse or soloing with the flooring as your partner.”

Then, in 1980, Hirabayashi noticed a poster for a presentation by Harupin-ha, led by Koichi and Hiroko Tamano, of Ankoku Butoh – Dance of Darkness. “We experienced by no means read of butoh so went to see the efficiency and we have never forgotten that effectiveness,” Hirabayashi reported. “Tamano’s solo took our breath away and stopped time.”

When Hirabayashi and Bourget fashioned Kokoro Dance, they wished to take a look at and acquire their possess kind of butoh. “Butoh is not a distinct approach,” he explained. “It is a search for one’s very own primary and exclusive way of shifting.”

In 1995, Hirabayashi went to Japan to research with butoh pioneer Kazuo Ohno. “He would converse to us for an hour and then request us to get up and dance what he was talking about,” Hirabayashi remembered. “He gave no guidance nor any corrections.”

Hirabayashi had to attain within himself to follow Ohno’s guidance. “He informed us not to imitate his way of relocating and not to use any approach,” Hirabayashi reported. “He would check out us for ten or fifteen minutes, and then stop us and convey to us that he did not imagine we understood what he was talking about.”

Ohno patiently ongoing to verbalize his subject and asked the dance students to consider once more. “This sample would repeat for the relaxation of the course and the ensuing lessons,” Hirabayashi explained. “They ended up the most difficult courses I have ever taken mainly because we have been fully on our possess while striving to shift in means we had hardly ever moved right before.”

Eventually, Hirabayashi found his personal type. “Butoh is about as much away from mainstream modern dance as you can go,” he claimed. “Butoh is the only dance aesthetic that we have found out that acknowledges that to improve time and room in your viewers necessitates you to adjust time and house in on your own.”

Despite this inventive progress, Hirabayashi and Bourget struggled to develop their dance enterprise and professions for a lot of yrs. “When we started out Kokoro Dance, Barbara and I experienced 4 youngsters to increase and we had no funding,” he said. “Both of us had to get turns taking treatment of the kids while juggling several portion-time employment to maintain our dancing careers.”

Hirabayashi experiences encountering systemic racism in the Canadian federal government arts funding methods. “The Canada Council for the Arts centered its funding on peer assessment,” he mentioned. “They would mail assessors to our performances, who would then create assessments that formed the foundation for exactly where our get the job done merited funding. Even so, in 1986, there was not a solitary Canada Council-funded dance firm that did not have an English or French name.”

At the time, he claims, there were no other butoh providers and no genuine peers to evaluate Kokoro Dance’s work. “It took six yrs for us to get our very first Canada Council organization grant,” he mentioned, “and we only received that 1st grant when we requested that no creative director from any Canada Council-funded dance organization be authorized to evaluate us and to mail a person from any other doing artwork self-control in its place.”

Now, Hirabayashi is honored to be inducted into the DCD Corridor of Fame. “We understood, when we established Kokoro Dance, that there was an ecology of systems that we had to initiate if we had been to endure as butoh artists,” he reported. “If we were likely to have dancers operate with us, we had to get started teaching.”

He predicted many years back that Kokoro Dance would be a prolonged-time period challenge with out necessarily immediate final results. “If we ended up likely to give our dancers options to improve, we experienced to perform anytime there was an prospect and if there ended up no opportunities, we experienced to make our personal options,” he claimed. “If we had been heading to endure, we had to construct an viewers, so we done outdoors of the usual dance milieu.”

Kokoro Dance now boasts a additional various viewers than most other dance corporations. “We executed at the Vancouver Worldwide Children’s Festival, we did hundreds of faculty demonstrates, we performed at the Vancouver Intercontinental Jazz Pageant, the Vancouver Folk Tunes Pageant, and at the Less than the Volcano choice rock and political activist competition,” Hirabayashi listed. “When we recognized that there have been increasing numbers of BIPOC and LGBTQ+2S artists that were equity-deserving but marginalized within their respective small communities, we commenced the Vancouver International Dance Competition with a focus on showcasing these marginalized artists.”

Hirabayashi and Bourget have developed about 200 dance functions and approach to make, execute, and instruct into the future. “We will be major the 28th annual Wreck Seaside Butoh efficiency intensive in July and also accomplishing at the Powell Street Pageant on July 31,” he explained. “In September, we will be participating in the National Association of Japanese Canadians Gei: Artwork Symposium in Victoria, BC, from September 15 to 18, with over 100 other Japanese Canadian artists.”

And that’s not all: In March, 2023, Kokoro Dance will current the 23rd Vancouver International Dance Festival, together with performances by Hirabayashi and Bourget of their own function.